Thanks. I am getting a better idea of what FRV can do for me. This is exactly the kind of material that could go into tutorials to supplement the manual.
I used to use DxO, and liked their manual because it had a lot of illustations showing what their (sometimes obscure) adjustments really did in a visual sense. A set of sample images that illustrate the features of FRV - along with a brief description - would be really helpful I think. Beyond being helpful to your users, I think this would also be a very helpful marketing tool. You are competing against (very powserful) complete tools like Lightroom - and many photographers (like me) would not understand why another RAW tool can be benficial. And, you never know why people can be interested in your product. It seems to me that the primary marketing feature for FRV is its speed - and potential use to review large volumes of RAW images. That wasn't my motivation - I was looking for better understanding of what my camera was really capturing and how it was dealing with wide-dynamic images.
David
Thanks. I am getting a
Thanks. I am getting a better idea of what FRV can do for me. This is exactly the kind of material that could go into tutorials to supplement the manual.
I used to use DxO, and liked their manual because it had a lot of illustations showing what their (sometimes obscure) adjustments really did in a visual sense. A set of sample images that illustrate the features of FRV - along with a brief description - would be really helpful I think. Beyond being helpful to your users, I think this would also be a very helpful marketing tool. You are competing against (very powserful) complete tools like Lightroom - and many photographers (like me) would not understand why another RAW tool can be benficial. And, you never know why people can be interested in your product. It seems to me that the primary marketing feature for FRV is its speed - and potential use to review large volumes of RAW images. That wasn't my motivation - I was looking for better understanding of what my camera was really capturing and how it was dealing with wide-dynamic images.
David