FastRawViewer Developers Blog

How to Work with Image Archives the FastRawViewer Way

Working with archives

How often do you want to visually browse your substantial archive of a huge collection of RAW files you've compiled over the years, in order to do some "thematic selection"? Or do you happen to have several folders of shots from some event, place, period of time (vacation), person, pet, etc., and you want to pick some shots out?

After you've selected all those photos you need either to copy them into a separate dedicated folder (for a further classification or processing), or onto a memory card (to give them to somebody), or you might want first add or edit ratings and labels, or simply send them to a raw converter for processing and then save the results into designated locations.

We decided to capitalize on the fast rendering FastRawViewer provides and implemented a lightweight but pretty powerful approach.

FastRawViewer 1.7.3 Release

FastRawViewer 1.7.3

Major changes

  • macOS: Universal binary, that is to say one installer for:
  • Mac/Intel with macOS 10.12 and newer
  • Mac/Apple Silicon with macOS 11.0 and newer.

Camera Support

  • Sony a1 (ILCE-1)
  • Fujifilm X-E4 and GFX 100S

FastRawViewer 1.8: Technology Preview

FastRawViewer 1.8 (the number is provisional, so as to differentiate it from other versions) doesn’t add any new user-oriented features.

In this version, we focused on the “internals,” specifically on the fundamental functions of the program: accelerating the display of RAW files (and other formats of course).

FastRawViewer 1.8. Technology Preview

FastRawViewer 1.7: New View Mode, "without Beautifications"

By default when displaying RAW FastRawViewer applies S-shaped tone curve and Adobe compatible' midtone correction.

With these (default) settings, the RAW display becomes more or less "as expected", correlating to the embedded JPEG and standard Adobe rendition (with all sliders in default positions) in both contrast and brightness.

In FastRawViewer 1.7 we've implemented a quick way to turn of both of these settings and switch between a flat, non-contrasty look, which corresponds to what the camera records into the RAW much more accurately, and a regular view.

FastRawViewer_1-7. Linear View Mode on/off

The Unbearable Lightness of Mystic "Exposure" Triangle

We should begin by saying that the point of all of this is not just to criticize one of the most repeated photographic myths out there – that's just a tool, because an incorrect understanding of the way that exposure and ISO work, as well as their roles during the shooting process, leads to a falloff in the quality of shots that photographers get.

So our goal is to show how, by rejecting this myth, you (the now-enlightened user) will be able to more fully utilize the capabilities that your camera has, as well as to improve the quality of your photographs.

Barnum Quote vs Exposure Triangle

Red Flowers Photography: Now It is Easy to See the Real Picture

Some time ago, we published a couple of articles ("Red Flowers Photography: Real Problems or Deceptive Previews?" and "Forcing a Raw Converter to Render Tones Accurately") demonstrating a multi-step procedure that allows one to prevent Adobe raw converters from showing false highlight clipping.

Now, with the settings that allow one to cancel the baseline exposure compensation and support Highly Linear Mode that are being introduced in FastRawViewer 1.5.2, this process has become much more automated.

FastRawViewer. Grid View. Red Flowers

ISO is Seldom just a Digital Gain

RawDigger. Raw histogram. Digital ISO 25600

Some say, "exactly like dragging exposure slider in Lightroom, ISO ... is just digital gain". With a few exceptions, this is less than a half-truth.

Though it is often the case that at higher ISO settings digital "gain" is applied (or a converter, using a metadata tag, is instructed to apply it), analog gain still acts first, before "digital gain" (the better word would be "multiplication", not gain, as in electronics "gain" most often pertains to analog domain).

The giveaway for multiplication is deep and regular gaps in the raw histogram that become wider with each increase of ISO setting.

A Curious Case of ISO Bracketing with Fujifilm X-series

A few days ago, a FastRawViewer user turned to us with a question:

"I took a series of photos with ISO bracketing, but FastRawViewer shows them all in the same way on the main window, even though the JPEG previews are different. I think you have a bug!"

In answering him, we suggested several reasons as to why this is happening, among which was the option that "It's possible that your camera doesn't even do anything when the ISO is changed".

The user sent us the files, and the result was...exactly that; the automatic change of the ISO setting while bracketing didn't affect the RAW data at all.

Time for Standards, stockbakery

Red Flowers Photography: Real Problems or Deceptive Previews?

"...Images of red flowers sometimes don't come out very well, seeming oversaturated, and having little detail in certain areas.”

"...In some pictures of red flowers, I can see small white specs on the petals. On other shots, the entire flower appears flat, like one neon blob, lifeless and lacking volume; it can be quite disturbing."

"...When I'm shooting red flowers, I often have a problem: to save the red channel, I usually have to tell the camera to expose below what it considers to be the correct exposure. This results in overall underexposure in the rest of the scene..."

Maybe, the main problem is that the preview you see is not what you got?

FastRawViewer. Grid View. Red Flowers

Sorting Photos with FastRawViewer

So, the shoot is over and you need to deal with the material you got from it. There's always the allure of sorting photos, setting the ratings and labels directly to the memory card, moving photos to different folders and then just deleting what's unnecessary from the card.

However... writing to a memory card outside the camera is unsafe (USB malfunctions, sudden disconnects, card failure, spontaneous computer reboots - any or all of these may cause a disaster).

We are often asked, how do we deal with these limitations and risks ourselves? Now, we're not saying that this is the only way, but here is what we do: we follow 2-stage workflow for sorting photos, which avoids both writing to a card and wasting time and disk space on copying and ingesting (into Adobe Lightroom) all the files while some of them may be “missed shots”.

FastRawViewer. Sorting Photos

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