FastRawViewer Developers' Blog

FastRawViewer 1.3.5 released

FastRawviewer 1.3.5 Beta. Supports macOS Sierra

As always happens with new versions of operational systems, some important functionalies of macOS Sierra are buggy: binary data is stored incorrectly in the defaults.

This affects the storing of non-integer parameters in FastRawViewer.

To work around this issue, we are releasing FastRawViewer 1.3.5.

This release also addressed some minor problems, so the Windows version has also been updated.

As usual this update is free for those who has already had previous versions of FastRawViewer.

Available at the download page.

FastRawViewer 1.3.4 released

FastRawviewer 1.3.4

We are happy to announce the release of FastRawViewer 1.3.4!

As usual this update is free for those who has already had previous versions of FastRawViewer.

Available at the download page.

Camera support:

  • Canon 5D Mark IV
  • Gitup GIT2
  • Nikon D3400
  • Pentax K-70
  • Panasonic G8/80/85
  • Raspberry Pi (V1 and V2 camera modules)
  • Several Sony and OmniVision sensors used in Android phones (in Android sensor dump raw format)

DIY Reliable, Cheap, Easy-to Use Universal White Balance Reference

Libraw White Balance Reference DIY Project

DIY projects are always popular, so we’ve decided to throw another one into the mix. This particular little idea comes from a problem that many photographers have – where do you get a good, small, white/gray surface to use for white balancing your RAW shots in conversion?

We’re proposing a solution that will save you time and money, as well as make you feel good for not buying into some inefficient, overpriced product of limited usability.

So, welcome to LibRaw’s Wacky Cheap 5-Dollar DIY White Balance Reference Project.

FastRawViewer 1.3.4: Beta Version with Canon 5D Mk IV Support

FastRawviewer 1.3.4 Beta. Support for Canon 5D Mark IV

This is a stable Beta featuring support for:

  • Canon 5D Mark IV;
  • Gitup GIT2;
  • Various sensors found in Android devices

The Three Most Obvious Reasons to Look at RAW and Not Cull Based On Previews

"...Really, why do you even want to look at RAW files? The whole point of RAW is to be processed according to your taste into a JPEG. I never look at RAW files; I never need to. They are loaded into LR, processed, and I look at the processed images.”

FastRawViewer. Pink azaleas. JPEG prevew vs RAW

Why do you want, or, as a matter of fact, not just want but need to look at RAW and not some previews rendered in some arcane manner when you’re choosing RAW files for conversion or presentation? Why, in fact, shouldn’t you trust neither embedded nor rendered JPEGs/previews, nor the preview / histogram on the back of your camera, for that matter?

We will both answer these questions, and illustrate the massive disconnect between a preview and real RAW data.

Unfortunately, photographers are throwing away perfectly good captures while keeping captures that are sub-optimal, because they are not being provided with the facts about the RAW. We are going to demonstrate why they need to examine actual RAW data before making any decisions about which captures to keep or consider editing.

FastRawViewer 1.3.3

FastRawViewer 1.3.3

We are happy to announce the release of FastRawViewer 1.3.3!

As usual this update is free for those who has already had previous versions of FastRawViewer.

Changes include:

  • Added "big" steps to the Exposure Correction tool for greater ease of use;
  • Added support for new cameras;
  • Fixed various bugs;
  • and more.

Available at the download page.

How to Use the Full Photographical Dynamic Range of Your Camera

FastRawViewer. Optimally exposed RAW

Suppose you've read somewhere that the dynamic range of your camera at a certain ISO setting is 11 stops. And here comes the immediate question – how can one use such a treasure to its full potential? Optimal exposure for RAW is the answer. But now we need to explain what we mean when we say, "optimal exposure for RAW".

Let’s start with one of the problems, which arises as a result of non-optimal exposure for RAW.

Dealing with Damaged RAW Files

FastRawViewer. Damaged shot. RAW. Zoom to 24%

"I should have checked all the frames before I left the site!

There does seem to be a problem with the green channel but with the tools I have I can't get my head around it. Looks like I will have to contact Canon."

You may find this article to be useful in a practical way, not just as an isolated case of raw data damage. Often, just a casual look into raw data provides arguments allowing one to persuade technical support that there is a problem with your camera body that needs to be addressed.

Deriving Hidden Baseline Exposure Compensation Applied by a Raw Converter

ACR Process 2010 Default Settings

We explained in an earlier article (“Forcing a Raw Converter to Render Tones Accurately”) that the majority of raw converters process raw shots with hidden, uncontrolled adjustments. This can cause a bumped midtone, clipped highlights, and compressed shadows; ostensibly, the point of this is to "improve" the way the shot looks.

Here, we intend to show you how to determine what sort of unseen exposure correction is being applied to your raw shots by your raw converter.

Forcing a Raw Converter to Render Tones Accurately

"What happens to my mid-tones? I set exposure using exposure meter; open the shot in Adobe Lr (or Adobe Camera Raw, or some other converter) - the shot looks overexposed and everything starting from mid-tone and up looks very flat. If I shoot RAW+JPEG, JPEG looks OK, while RAW is not. Should I expose lower?"

Df_CT02.NEF in ACR - image looks overexposed and flat on the higher tones

Don't set the exposure any lower. You'll have underexposed by another stop in addition to the underexposure caused by camera meter calibration. This can be painful, particularly if you don't have a lot of light and have already cranked up ISO to above 400.

We'd recommend fine-tuning the default settings that your raw converter has (detailed below). Taking the time to set up customized defaults now will save you a lot more time later.

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